The Old Pine
My version of Qing Gaozong's Old Pine:
The Old Pine
Ink on Shuen Rice Paper.
The little brown sliver on the left of the image is part of the wood block holding the paper down.
Painting the twisting nature of the pine was interesting, it was a simple lesson in remembering not to cross certain lines. I tried to take extra care with the needles - trying to keep larger needle strokes near the center of the bunches and smaller needle strokes on the outside.
I started the painting with very light ink and then added darker inks in layers. The final layer was black ink with a wet brush for the tree's edges. The bark texture is a mix of black ink - dry brush and light grey ink - wet brush.
Ink on Shuen Rice Paper.
The little brown sliver on the left of the image is part of the wood block holding the paper down.
Painting the twisting nature of the pine was interesting, it was a simple lesson in remembering not to cross certain lines. I tried to take extra care with the needles - trying to keep larger needle strokes near the center of the bunches and smaller needle strokes on the outside.
I started the painting with very light ink and then added darker inks in layers. The final layer was black ink with a wet brush for the tree's edges. The bark texture is a mix of black ink - dry brush and light grey ink - wet brush.